Nail Art Supplies Toronto

fondling NAN sky

two months ago, members of the community of Formosa Qom and members of the indigenous cause camp from 9 de Julio Avenue May for the return of their lands and clarification the murder of Roberto Lopez. There, several artists accompany the claim: music, dance, juggling and drama is interspersed with rocks and street, while the poets are turned to an open microphone.

By Maria Daniela Yacca

Photo courtesy of Spring

Step by dead people

clouds my heart is,

but where people live is death

much worse.

justice buried, buried

reason.

[Violeta Parra, the sun burning Top]

Buenos Aires, January 28 (

NAN- Agency

2011) .- Two whipala flutter on top, remaining stoic despite the wind and rain that lingers. How many things are in a square of asphalt at the intersection of 9 de Julio and Avenida de Mayo? Is it possible to move around and keep walking like nothing? Since it was installed two months ago, the camp Qom has changed the landscape strongly. There cross community members Qom (Formosa), members of the indigenous cause (many of them from the City of Buenos Aires), artists that accompany the claim and curious (apologize the ambiguous and trite term). No, it is possible to go out there and continue business as usual. It will be for a few. Is that the camp not only gives another postcard from the City, but has changed urban life.

For those who lack the fundamental aspect of this story: the fight is carried out by members of The Spring. Ask the Government the return of their ancestral lands. Also, the clarification of the murder of Roberto Lopez, which took place during a violent police crackdown on Formosa to evict the community. There in their land, many Indians left homeless and without water. This is also prompted for a solution. It also seeks the return of his passport. Can you keep walking like that, knowing all this? And if you do not know, then you have to close.

A fundamental rule of journalism is that the story portrays a struggle. Of man against man, man against the forces of nature, man against himself. NAN Agency, as means of culture, comes to camp with the aim of Qom describe what Instead it is up to the culture around it. Surprisingly, all of a sudden, the organized nature of the claim. In the largest tent of all is Paxsi, old-young militant of the Indian cause, which includes press commission. It requires a record of everyone who comes close to looking information or statements. The tent is "adorned" with paintings by students IUNA for questioning where he is watching the state.

's already 18 and there are two young men walking by with their stringed instruments, a poet who gives verses to anyone approaching to ask something, a juggler spinning through the air, the colors of the flag. Is there Félix Díaz, representative of Qom, taking some mates with their peers, and willing, as always, to put voice to the problem. The voice, the body. He says he is very tired of repeating the same thing. He says he does not sleep there because, well, really needs to rest after talking to the media during the afternoon. "I would like a novelty," longs. It is one of the best position to provide the answer you are looking NAN Agency.

"Art makes the difference. The social struggle sometimes is accompanied by much violence and anger. We want to give something different, peacefully, joyfully. At night share music, dance, ritual ceremonies, "he says. There is also room for projections, generally related to indigenous issues. Every day, between 18 and 22, accompanying musicians camp Artists Popular Front (FAP) and writers of the Independent Book Fair and self-managed (FLIA). But there are open mic. "Anyone wanting to show their art, so be it. We want to give that space to contribute their talent and show solidarity with this struggle, and it is understood that the cause is not a party but a political persecution that has to do with the valuation of life. "

In violence the State never intended to respond with more violence. "We hope the dialogue," says Felix. "You have so much patience ... Sometimes, the authorities use violence against us, and that we are complicated." Last Saturday was a rock, with artists and live bands. Requesting a contribution of five dollars bonus plus a donation (a nonperishable food or clothing). Also, music and dance have been present in all gears. "It's the only way to attract people," Diaz sentence. In that approach, asking the public-companion in the struggle over aid. "To sign a petition. We are gathering signatures to send you to the President. "And when he says that Felix gets a little more. A solution by February, he says, would be ideal.

Artists, crazy and guerrillas

Can adhere to such a cause without getting up to handle it? Obviously not for the FAP, which has accompanied the claim from which stepped on the City. Gustavo, one of its members, explains what it is. "A number of bands that try to spread the art, put it in another place, where it is always running it, take it anywhere you take out the fighting. The idea is that the musician is like a guerrilla, thought and art of his time. "With this effort, there are certain things that have to resign. "I do not always have the best sound, the best of circumstances. We did not perform on stage. "They would rather get into the assemblies to stroke the ego.

- Do the bands that make up the FAP protest music?

- We do cumbia ( N. R.: The band is Anarcumbia slingshots), there are people doing folk, rap, cikuris, others are heavy. There is everything a bit. And yes, all are related in a way a kind of struggle. For us, as well as musicians, we are activists. We got to know in several moves, we are independent people who do not belong to any political party. We met in the street. The group is in formation. We not only want to amplify the music, but we think we can move forward in the struggle. Compose in those places.

- for example, composed some of the camp?

- Not yet. But the lyrics of many of the musicians of FAP have roots in the struggle itself. We struggle.

- Do not belong to a political party is a litmus?

- No, but we are collecting in these areas who have no partisan characteristics. They are assembly-, democratic, horizontal.

- How is the experience of accompanying the camp?

- is great, as everything is on the street. Bring the sound to amplify the voices. Not that we are artists, we understand that art has to be somewhere else, the pair of militancy. There happen to be an industry of culture, music time, which gives the impression that music would have to be somewhere else. But the space it deserves is to accompany the advance of our people. There are many people who are here and beginning to think that other worlds are possible. With the FAP try to talk all this. The music is not commercial, not ours, but no. There is an industry that sells.

- Well, but there are musicians who want to commercialize it.

- The system generates stalls or the illusion that there is no alternative, other things possible. We resumed the line of many great American musicians like Victor Jara. The militant Popular truth because it reflected a time.

- more people will find out the claim, attracted by the artistic?

- The other day we reflected that we have to be every day. We wondered who might be interested, echo, put the body. The conclusion was that to them is going to interest those who are already struggling, those who feel the injustice. Over there we have to go looking for those who are looking to Tinelli. Suffice it to say, move, motivate them.

Open mic

"Dream Felix working the land that belongs to you, dreams that his sweat is paid with justice and truth, dreams that no school to cure ignorance and medicine to ward off death, dreams that his house is filled and is reason to govern and to govern his people, he dreams he is at peace with himself and the world. He dreams that he must fight to have that dream. Felix and waking dreams ... now knows what to do and sees his wife crouching stoke the fire, listen to mourn his son, watching the sun greeting the east, and sharpens his machete with a smile. "Poetry is Subcomandante Marcos. Paul Gramajo the borrowed and made a cover that recited for all the days of the rock. Now, repeat the ritual before the recorder.

santiagueño Poet, says she loves the words for "open and closed worlds." Paul is cheeky and, then, it has earned a place in the open mic. It was, in fact, one of the drivers of the rock, without knowing in advance. Also a member of the Peasant Movement of Santiago del Estero (Mocase) and brought his claim. "There we have 250 problems of eviction, the brothers have a Spring. And the media are silent, paradoxically misinformed, misinformed information. Our problem is we never fence, as required by law. Our fields are community, grazing as well. There are no borders for us. "

Returning to the focus of this note, Paul has, for his participation as host of the club:" It was an act of resistance, but also the insistence. We have a large memory capacity. Because, when there were no books, oral and memory go hand in hand. We have a built-in memory. The rock was pretty cute beyond the rocks tend to have fun. And sometimes the fun loses the possibility of actually seeing her completely. It is a defense mechanism to forget situations. "

As Paul speaks, there roams Sergio Juncos, juggler. It backpacker and whenever it finds a struggle with that match, sum. Now, after spinning through the air the colors of the whipala , that is to travel to Formosa, internalized in the community and teach their art to children and adults. "It would be good if the culture is based outside the cities. Has to expand around the world. Is that we take, take, teach kids and show large can play again. "

Both are young. Actually, that day is many young people getting into the camp. A large storm leads many of those present. However, the flags are still there, caressing the sky. Many indigenous brothers sleep there tonight. The cry is not suspended by rain. Nor sleep. The dream of the land, finally, belongs to them. The dream of being at peace with the world.

Mathematica Free Trial

ground .- The book as a journey .-

For a book that comes always has a long and complex section. That is the germ of traveler, an accompanying editorial trying new authors "from the kitchen to the outlet to the world" from their new jobs. Emerged as a detached literary workshops and courses, but can approach those willing, with the "obligation" to understand what is going initiative.

Sabatés By Paula Mariana Meyer Photography


Buenos Aires, January 26 (agency NAN-2011) .- is known: the culture industry is an area of \u200b\u200bsurvival in the strong hold and weak fall by the wayside. Difficult is the situation of the publishing market, which often must contend with obstacles such as piracy or lack of interest in reading. Not to mention the difficulty of the authors, anyone who have come greatly complicates the circuit. Therefore, emerged as a detachment Always Travel, literature in progress - a confluence space workshops reading and writing and literary events and cycles - Traveling Editorial was formed in 2006 as an alternative to that system exclusive. "What happened from the workshops was that we followed throughout the production process of the book, but we had no way off copies. And that was strong enough for authors, because they found that the publication will take two years, which is the time to handle Publishers. So we made Traveling to accompany the author in his first book, from her kitchen until they leave the world ", tells Karina NAN Macció Agency, writer, lecturer and editorial director of the project. Traveling

born then with a noble task, but not too simple: make room for the first authors, guiding them in the process of creation and accompanying follow once edited the book. Of course that was both a risky undertaking, a big bet that not many publishers - much less an independent - have been encouraged to address. "It was played a lot. The author's first book can be a pearl, because when you investigate an author always comes back to see where it started. But while the first authors are fearful and no one knows, so the press is difficult, and you have to do much emphasis on the idea and the good of the project, "says Maccio.

Today, not all publishing on Traveling out of the workshops. "Our idea is to stay not only with people that comes from always traveling. On the contrary, the flag of the workshops is that of movement and still Traveler, "says the director. So many people came to offer manuscripts, but not all understand not finished editing the project. "Many believe this is an editorial in which it pays the book and do it. Well, it has nothing to do with it, to us who are interested in the aesthetic project, "Maccio sentence.

addition, Traveling is about to edit an author this: "you can also follow the post-publication, be encouraged and commit to a link to move the book to present at events, to defend it. If you are not willing to do that does not serve as an author and traveler does not help him, "Virginia said Janzen, who is also a writer, literary workshops and coordinating part of the editorial board of travelers. For her, the purpose of the editorial is to empower the author to write the best, take out one voice. "The issues are always the same, what changes is the way to see them and what that person can wake up," he says. Maccio, Janzen and Cecilia Maugeri, the third member of the editorial board, accompanied by the author from a central place: the editors. "The Editor's figure was falling over time and more with this new model in which there is only one person working next to the author, but infinite parts in a machine that is not, "says Maccio.

addition Discovering Collection, dedicated to new authors - there Janz and Maugeri published for the first time - presents the Collection Browse Traveling, which began with a book Macció, and published by authors who have published, "not so recognized and willing to travel the map of contemporary literature." Between the two collections, the publisher has published eleven books and plans to take some more this year. In addition, shortly will open with a new book by Maugeri, collection Bifida lyrics, to be composed of bilingual texts, which means that minimally there are two people involved in the process. As varied as the collections share something essential: Traveling all books belonging to the "artistic and poetic literature, one that strives to resource management and exploration of language, where the word is in the foreground. Editorials

this style does not abound: sustain work over time, being independent, it is difficult, especially when the book market is dominated by large icons that make sure the vast majority sales. Astute traveler stays here too: from the beginning, its members decided to personally distribution to generate a direct contact with the bookseller and premises, to those who choose based on their geographical location and its recognition in the literary field. "The distribution in bookstores is one of the major legs of travelers. At first it was difficult to enter them because they convince a person that you are going to continue to maintain the activity when you have two books is a difficult task. The truth is that booksellers also made a bet with us, "says Janzen, also responsible for the press and communication of the project. But Beyond the direct contact, was also the design of the books that convinced many of the distributors. "I always had the idea that the books were colorful, with a traditional format in that it does not get lost in the library because books are objects, they are very finite or something. We wanted a book-book, quite revolutionary because it was what was inside, "says Maccio, while acknowledging that books are also object-like, and that is why we always work with flats Travel and handcrafted editions. The other leg

important that travelers are betting cycles and literary events and touring, travelers that regularly hold art space, and those who are Traveling visit, where booksellers can see the announcement of the project, lyrics, combined, of which artists from different disciplines, and vice versa Traveling, where two guest authors read Crusaders. It goes without saying that any new project is born crossed by the metaphor of the journey because, as explained Macció, "has to do with our idea of \u200b\u200bliterature as a journey, more internal than physical, as an exploration. Because the trip is when you write but when you read. And as life is a journey and the story of that life becomes literature, literature is inevitably an adventure. "

Lincoln Impinger 1132

turns out that in the new school in Santiago and Diego is an orchard. Last week, on Tuesday, Diego came up with a bunch of radishes, long coriander and a couple of carrots. The next day was the turn of Santiago and was excited about his crop: a radish and cilantro.

Diego who is a fan of crops he said he wanted his radishes in a broth, so the teacher had told him that they ate. And Hannah and I that we could not think that could lead radish soup, it suddenly occurred to us make a pozole. And here's the picture story.

Harvest

lettuce and radishes

Santiago and pozole

Diego and pozole

After all, I asked if they liked the pozole, here's the answer:

Infections Caused By Metal In The Skin

Possible 2011-New Futures

During the course of this year will continue to support young people in the Andean Region, in this way possible to choose academic paths, both in our region and elsewhere in the country. In addition to the sample itself will happen in the second half of 2011, we will advance other initiatives to provide accommodations to access information and to share with our fellow travelers. The blog will be finding the overview and the possibility of exchanging suggestions questions and concerns. Thank you for joining!

Labratory 5 Cellular Respiration

Sin Sin Conceived in the Teatro de la Ribera .-

The company proposes not be dancing Thursday through Sunday the best tango of the 40s and 50s decades of choreography accompanied by raw, erotic and passionate.

For Ailín Bullentini
Photo courtesy of No Bailarás

Buenos Aires, January 25 (agency NAN-2011) .- conceived without sin proposes a challenge. Subtly, on tiptoe, slide across the stage proposal. A deceiver of innocent at the start of lay, and left to discover daring in his last pieces. Meanwhile, prepotea the viewer. Especially one who comes to the Teatro de la Ribera with the expectation of enjoying a show in which dance and live music blunt the best tango of the decades of 40s and 50s. But no. Or, yet not. Anyway, the result is impeccable. Exquisite. Missed.

The company tango dancing is not started and polishes the tables of the theater of La Boca, Thursday through Sunday, the pace of dosxcuatro of 19 tangos written and composed during the turmoil of the genus in Argentina. The melodies are born of a piano, an accordion, a bass, electric guitar, violin and sometimes a hoarse voice and powerful, combining the sounds of stage and bring the magic. The idea of \u200b\u200bmixing, the orchestra sprinkle the room with the music to float to your liking there, and the public - three pairs of dancers, belongs to Silvana Grill, artistic director of the group.

Challenge "invited the introduction of this item? Sure. Because the message limit in the show does not change. Are milongas, waltzes and tangos brief reference, strong, heartbreaking, that give a frame to draw couples art that no bail. Critics, never false, according to the narrative construction accomplished in conjunction with choreographic dramatization. Creole: The tango puts the letter; duos, designs that fail with their bodies in the air. The excitement, tension, grace, tenderness, uncontrollable love that reflect each of the 19 stories is derived from a combination of both disciplines.

The stage also contributes to this construction. The lighting and set design work - a permanent and short, but effective, changes in bottom panels of the stage - allow transporting to those who feel and see the show on regions of tango stories. Environments tainted by cigarette smoke, yellow, heavy. Any street, revealed in the white moonlight. The gloom of a room where the bodies are sought to be naked.

All proceeds as would the book R ULES continue to perform a tango show -if any-until the last three frames. The stories are about love and heartbreak, of betrayal and disillusionment, of lift and seduction. Women, embodied in a blonde (Gimena Aramburu), a brunette (Paula Gurini) and red (Julieta Biscione), three strong mines, handlers and cruel to those three men (Roberto Castillo, Mariano Bielak and John Foss) that love them , the search until exhaustion. Of course, until the final three frames. Because

Chaly, the table number 15, is a prelude to the breakdown. Paula and Julie are removed tailored red dress which did wonders for the centerpieces of the show and in bombachudo, bra and stockings thigh-old become a kind of Mariano Bond girls, which would be a .... "James Bond? Anyway, how incredibly annoying, yet interesting is that even well placed in these positions, still dancing dosxcuatro. Gone

ballroom dancing, the coordination among the three couples who, in a somewhat cluttered triangle run along the track between eight cuts, scissors, half moons and rings. Eye, the steps are not lost. Resignified in a theatrical context abysmally different. Light blue, born track of a CD-the only one not played by live orchestra mini-states that the break has arrived. The way most could ever enjoy a tango dance breaks to disappear.

There the challenge. Rejection is the first thing caused the futuristic costumes of cloth violets, yellows, oranges and greens angry, the choreography interspersed, the superhero poses. What the hell is this? "Tango? The rhythm of the piano, plucking the guitar and bandoneon those beautiful tears - never seen a more sensual - not change the construction of tango melodies with the depth of bass. A not close our eyes, the dance is there a different way. Appears twist to a genre that was spent for decades, but still shooting sparks. And just fascinating.

* conceived without sin is presented Thursday through Sunday at the Teatro de la Ribera, Pedro de Mendoza 1821, La Boca. City of Buenos Aires .

Site: http://www.nobailaras.com.ar/

Skidoo Tundra For Sale Minnesota

Books: "Social" (Maria Barrientos, 2011) .-

The writer portrays eight stories in a complex web of human relations dominated by the cruelty that emerged in institutions, above all in the family.

For Esteban Vera

Buenos Aires, January 24 (agency NAN-2011) .- Social In (The End of the Night), Maria Barrientos narrates through eight short stories a complex human relations. In each of the stories - told in first person - flies a range of cruelty. Barrientos, literature teacher and librarian, tracks and investigates cruelty in social institutions, above all in the family. Formally, each adding information stories. In each story, the writer adds details of his characters, weaving together connections between its parts. Uses a coral structure in his stories, the same used the creative duo who formed the director Alejandro González Iñárritu and screenwriter Guillermo Roots in the brilliant trilogy Amores perros, 21 grams and Babel.

In "Waitress luxury", "social", "Feng Shui" and "Do the right thing" involved a character scene and fragile negligible cross: Esquéletor, depressive and anorexic girl (said I was fat and weighed 45 kilos, so not eating and walked past without looking in the mirror, "says the narrator), the Black, a sociology student disillusioned with the profession; Quemado, a cocaine user, intellectually demolished, whose mother prefers him dead, Alma, a waitress considered unsuccessful by his family, Marilyn, the only group that seems to have no problems and is considered divine, and Cardoso, a former soldier and admirer Hitler, who killed militants during the dictatorship ("good times" to him), besides being a scholar of esotericism.

"We felt safe in the group, away from an adult world that we came to understand," says the narrator, Alma. Each of the characters carries a dysfunction in your family that leads to situations of cruelty. These characters crossed by treachery, contempt and violence. Thus, the author takes aim at a major bourgeois institutions: the family type.

Meanwhile, in the last four, "Dancing Arabs", "Michi", "Happiness" and "Journey" displays another set of characters with dysfunctional families. They are losers, reactionary, dissenting: a "kept" candidate for Nobel Literature and wife, sustained by the income of their income, and treacherous and thirsty for revenge, a wealthy lady and deceived, whose only companion is a cat, which 70s believed that "lefties were the incarnation of the devil" and that "their heads all they did was to have children "(resembling Mirtha Legrand, right?) and a former dandy who lives like a pauper and that 20 years later learns he has a daughter who dances belly dance for a living. Through these characters, Barrientos returns to its X-ray against the families and their hypocrisy and conservative values, tells deceptions, betrayals, rejections appearances and hypocritical parents.

In summary, the third book of Barrientos (before he had published two works that had received awards from the Writers Society of Argentina and the Poetry Journal) has daily patterns, apparently simple, with a conversational writing but precise he has a grin on the facades of perfection of the family.

Reading online: http://www.elfindelanoche.com.ar

Snow Chains For Tires Of Odyssey

Paul Russo: "In the street, the intersection of art and political power" .- The first magazine

is a cultural journalist and integrates an advocacy group that works human rights. Your laburo there, the transit through a seminar for Art and Politics and the need to combine everything in communication are key cocktail where his most recent essay appears " Where is Julio Lopez? Aesthetic practices in relation to the claim of a live appearance ". There, he reflects on street art activism.

Lag By Nahuel Martin Photography The Nigro (1) and courtesy of Paul Russo (2)

"What is gone for a missing person? How can
his disappearance

democracy, so responsible

openly visible and challenging

not be the subject of general concern

our society? Here, finally, I felt
that we were missing. "
[Marcelo Candia]

Buenas Aires, January 21 (agency NAN-2011) .- Two weeks ago, the media opened its microphones to the desperate voices of those who thronged to the doors of the banks appeared to apply those snippets of paper supported by the National Treasury to exchange them for goods and services. The cry of these people heard a thousand times. But no one spoke of Julio Lopez, who for more than four years disappeared a second time before everyone's eyes. Among the bills that were floating around boxes of business, the portfolio of the lady and gentleman's pocket, some are an appeal to memory, a summary of how artistic aesthetics can become an effective tool of communication and resolve the dual-political art. Tickets-wheel series, "Where is Julio Lopez?" Were issued, at first by the Commission for Memory and Justice of La Paternal. This series is part of an underlying corporate culture, made speeches and artistic activism collected in the book Where is Julio Lopez? Aesthetical practices claim live appearance, Paul Russo, a journalist, a graduate in Social Communication, artists and member of the Commission.

asked not the Central Bank, but The idea came from Brazil. Russo met Cildo Meireles's work studying the Art and Politics Seminar at UBA - dictated by Ana Longoni (in charge of the book's foreword), and Fernando Vila Bassas Asumpta Davis - and is excited about the project document with which the Brazilian artist in the '70s stamped with a rubber stamp a question on the Royals: "Quem Matou Herzog?" journalist tortured and murdered by the dictatorship carioca (1964-1985), although the military to submit it as a suicide. This intervention

Meireles, ranked hand-made, the action sought to move from micro to the inclusion of a message in the macrostructure of the system, the achievement of "insertions ideological circuits. "

Russo took the idea to take to the streets with the residents of La Paternal and with outstanding results, time to reflect on them and the work of other artists on the same page, this time resulted in essays edited by Southland.

Its pages are a condensed review of interventions by Julio López (which could be extended to Kosteki Maxi and Dario Santillan, Carlos Fuentealba and Luciano Wrinkle) made by artists like Lucas Di Pasquale, Javier Del Olmo, Hugo Vidal and Martina Laborde, in context with the practices of artistic activism through the history of the country.

"You think you can take art out only people touched by a wand, academics. But there are basic and simple techniques, such as flyers, stencils, murals, stamps, allowing even those who are not artists, to circulate a message that is multiplied, "said fellow author, with Maximiliano de la Puente, the book The partner who has the House. Argentine activist cinema (Tierra del Sur, 2007).

- In the hand-made found a key to demystify the art and put it in the hands of neighbors to take him to activism?
- Since we consider the Commission never artistic, is not an argument for us but we are a neighborhood activist group that uses art tools to communicate political ideas. The way I thought the post from the investigation, which is valuable because the specific activity will not leave room for analysis.

- In the investigation, in what context it was found that framed the intervention of the Commission?
- Our actions can be read from the practices of recent urban intervention. Since the '90s, escraches repressors of the last dictatorship made by CHILDREN amalgamated with groups coming from the bottom of the avant-garde art, not seeking to relate to museums, exhibitions and academia. Among them, the Grupo de Arte Callejero (GAC) and the ETC Group. In our country, there is a whole tradition of political activism. Previously, the Siluetazo, that the book is reflected in the play "Silhouette López, Javier del Olmo.

- What is reflected is the rehabilitation of those interventions?
- Everything returns of previous actions. In the neighborhood, there is a mural painted by neighbors who are not dedicated to painting, but the technique took a group of Chilean muralist.

- In the book quotes a sentence of artist Edgardo Vigo Plata: "The present Street art is. "It was said almost 40 years, how the analysis from now?
- Since 2001, interventions on the street began to have an audience. Began to be demand for more practices that were once underground, existed but were not in sight. For example, the popular screen-printing workshops began leaving organizations and appearing at marches, for those who are mobilized may stamp their shirts with slogans. What I find interesting art in the street, always taking it as a tool to convey political ideas, is that it is the site of power. It is the place where the encounter between art and politics may have more depth than in a museum or the Internet, a virtual public space.

- Does the participation of artistic activism on the street is renewed when everything seems to happen in the virtual social networking?
- Yes, even things that happen in the street have their bouncing on the Internet. Serves to broaden the dissemination of an activity, a message, but do not stop there. The street itself is common to all space, where one can find a neighbor or friend and make a mural, for example. The meeting in public has something of life itself, the collective, the encounter with the other. That is irreplaceable, and there actions have also made another artistic value than they would in the art circuit.

- The paradox between action and inclusion in the circuit ...
- We make reference to Meireles and "insertion into ideological circuits", which proposed the opposite of Marcel Duchamp, who had everyday to the museum. However, the work of Meireles I met him through their institutionalization, their inserts led to exhibitions in museums. In 2001, militant art did something similar.

- How?
- For example, groups that showed their documentary film in parks and factories, eventually went to show his documentary film festivals such as Berlin. The institution, I say this without any value judgments, co-opts these works for display. Once inside the art scene, artists present their work as a work of authorship. When they do in the streets give their signature based on a social demand. As with the assistance of Hugo Vidal: Views on the streets many people know who did it.

- What would happen if they had tickets to a museum operated?
- For us, art is merely instrumental, a communication and educational tool for people's participation. Maybe if we were invited to be part of a sample and that we open the possibility of carrying our message to other people who would not reach, we would. Do not disown a sample. It just is not our field, we favor the message.

- art works as a teaching tool for political participation?
- Yes, especially when the art tool sociability is as high as a seal. Anyone can do it, not a Picasso. Is an intervention with an aesthetic side as it may be a stencil. The purpose is not art but is focused on communication.

- And in this If defined as a synthetic and recognizable slogan, like a stencil?
- Lee is an uncomfortable question for any democracy, so the president (Cristina Fernandez) and do not talk about the mainstream media make a dual political purpose. It is a very topical issue for the military trials, and it questions how deep is the commitment to human rights. Is a trigger, the intervention alone will not accomplish anything, but in principle is to generate social and can cause pressure to not look away. Is to keep the issue on the agenda of the street.

To get the book, write to laeditorialtds@yahoo.com.ar

12' Used Aluminium Canoe

villera .-

The brand new publication produced entirely by neighborhood assemblies Zavaleta, Rodrigo Bueno, Villa 31 bis, 21-24 and Soldati Fatima has Carlos Mugica, Julio Cortázar, Roberto Santoro and Rodolfo Walsh between journalistic colleagues, and instead uses the western alphabet numbering quom. "The goal is to let everyone know what happens in the Rancho from the mouths of those who live here, without intermediaries," says one of its makers.

By Nicholas Sagaie

Photo Powerful Throat

courtesy

"Journalism is free or a farce"

[Rodolfo Walsh]

Buenos Aires, January 1919 (NAN Agency, 2010) .- From bowels of the poorest neighborhoods of the City of Buenos Aires began to grow vigorously on a collective voice that will crash every month. It choked the word before a group of young people embraced journalism as an act of freedom, to have it hidden, so invisible and distorted by the mainstream media. The way they found to release this call is through Powerful Throat, the villera first magazine designed, written, illustrated, photographed, directed and financed by neighborhood assemblies Zavaleta, Rodrigo Bueno, Villa 31 bis, 21-24 and Fatima Soldati. "The goal is to let everyone know what happens in the Rancho from the mouths of those who live here, without intermediaries," says William Cartagena Farfán, one of the drafters of the brand new newspaper staff. So, no spokespersons or mediators, with your feet stuck in the mud, the kids sent to walk the street its first issue, with Juan Roman Riquelme on top, a recipe spiced with humor, some mates with Joan Manuel Serrat, a remarkable Facundo response to Pastor and stories from the inside. In total printed little more than three thousand full-color copies sold in Buenos Aires with the idea that in future editions the message is going to expand up to ten thousand copies.

The task is not easy but the push to bring no small feat. Proof of this is the platform from which to write, supported by the strong will of thousands of residents, the utopia of Carlos Mugica, the madness of Julio Cortázar, Roberto Santoro's dreams and militancy of Rodolfo Walsh, all references as collaborators in the journalistic staff of the magazine. "Because when we write and maintain their ideals: the people" Cristian Romero stated as 14 years with an enviable lucidity. With that back in the publication, he and his colleagues in a style that breaks the guidelines of the hegemonic journalism degrees in the bottom "because the important thing is down" and the alphabet to replace Qom Western numbering, for example. "The issue also has no dependence on advertisements or advertisers," unclassified only rented to people from the neighborhood, features a quick glance seem simple but are not innocent. "It's about a way to change little by little the structures. Now we will have to listen, "remarked William, an" old young "living for years in the Villa Rodrigo Bueno.

The winds of change began to blow past three months, when the popular media cooperative NGO La Poderosa concluded that "something must be done" because the traditional media groups do not reflect the reality of the corridors of the villa and its people. "Besides, stirring history, we realized that there was no news concerning emerged from the popular sectors," said William. Then each assembly was introduced in the difficult task of identifying prospective editors, photographers and cartoonists, formed by a scholarship scheme that allowed them to learn and go out there prepared. Then conditioned newsroom, anchored in the heart of the Zavaleta, street Ernesto Che Guevara, strip 6, house 85 bis. Corner of the world easy to spot because from the front it was announced that production there is an accurate painted warning that "terror is based on the lack of communication" and that "violence is lying." Such phrases are still inside the house, now the sanctuary of writing, where one wall is colored flag of Cuba, another has photos and portraits of the makers of the project in the village, while one of the fronts all is commanded by an old Olivetti typewriter.

Throat ... first used his vocal cords when the meetings got the necessary funds with raffles, bingo and voluntary contributions hundred percent anonymous ("because no matter the personalities here but the whole group", a condition that applies to those who want to help) to print three thousand copies. "Now the February issue is guaranteed by the proceeds from sales in January, March and hopefully we get print ten thousand magazines, are eager young journalists. At the same time anticipate a steady growth: first, with a trip to Formosa to a correspondent who interviewed Toba community of Spring and then with a much more ambitious journey to cover the career of Michael in Italy in homage to Miguel Sanchez, athlete disappeared during the military dictatorship. "In the long term, by the good reception he got the magazine, we hope to become an engine of community financing of all meetings, as a genuine and independent action," they explain. However, they are aware that everything will require much effort and innumerable roadblocks.

The first hurdle to move forward on this initiative met last week when they were spreading the pedestrian magazine in Villa Gesell. In operating a stranger, on Monday 10, the Buenos Aires police arrested five people who were selling copies and receiving donations. First, civilian people without identifying themselves as arrogant and forced them to retreat. "In refusing to say who they were, colleagues refused to stop what they were doing until they dropped some in uniform, moreover, wanted to steal magazines. That a man defended us, the troops severely beat him and we all jumped right away, "told the referents of La Poderosa. Completed all inside the police station No. 1 of that town. In cells "prisoners were rated as long as 'lefties' and asked them if they were Bolivians. They treated everyone very badly for no reason, "complained during a press conference to protest in the neighborhood Zavaleta, where the head of the Mothers of Plaza de Mayo, Hebe de Bonafini, was present to protest the fact and solidarity with members of La Poderosa.

"Beyond all, are not going to stop, gonna cry Throat," repeated in chorus with the same slogan that come up since January 2 when the group officially the "lanzaNomiento" magazine . At that time its members had already received accessions, messages and greetings from the Uruguayan writer Eduardo Galeano, a journalist Víctor Hugo Morales and Nobel Peace Prize Adolfo Perez Ezquivel. In a brief letter written to all the human rights fighter advised: "You guys / girls keep building and walking towards new dawns of new dawn." And that's what they do daily: "The magazine works against the disinformation in looking for a different future, "says Paola Vallejos, de la Villa 21-24 and highlights the work in the kitchens, workshops, literacy and recovery of the places in the neighborhoods. Each of the issues featured in the 24-page publication has, in which there are notes with the likes of Olga and Naomi, who tell how their children were stolen, one in a democracy and another dictatorship.

"I think it helps make visible the hitherto invisible and change a lot the concept that many have of us. While we know that the villa there are bad things, there are good people who give a hand to a neighbor or any outsider, considered Ayelén Toledo, a 14 years. The team with whom he is preparing the second issue of the magazine is completed with Claudio Miguel Savanz, Kathy Benitez, Oscar Cristaldo, Dada, Jorge Lopez, Hernan Segovia, Castillo and Fabian Sebastian Corro. The sale will continue with the same mode as before, in hand "at affordable prices." Although be achieved in two kiosks Federal Capital: Lavalle 790 and at the intersection of Las Heras and Salguero, in Palermo. The idea is to multiply and "continue reading the" say changing the renowned phrase Diego Armando Maradona as coach of the era. And last but not least, ask for "quiet hospital" for the "sick journalism", in the same manner as required by Riquelme from the cover of the magazine.

Site: http://www.lapoderosa.org.ar/

10000.00 Backyard Makeover

The role of diversity as a "vehicle for development" .-

From April, the "empty editorially" Jump magazine have a new self-management in service: 5 Senses NOA will be proposed to show "various traditions of NOA and the current tensions of globalization" to "provide the insight and critical eye," says Idangel Betancourt, one of its creators.

By Facundo Gari Idangel
Photo courtesy of Betancourt.

Buenos Aires, January 1918 (NAN Agency, 2010) .- From Cuba, arrived in Salta by chance five years ago in search of a university in Argentina, and while first probed the supply of Buenos Aires, the Universidad Nacional Salta was the best answer to their expectations. In 2006, "It was like a newborn trying to understand the codes of Capitalism" sums Idangel Betancourt, a journalist and playwright, his arrival in Argentina. Soon ceased to study at this university, but to pass through its classrooms given the opportunity to meet teachers and writers, in part helped him to write a great story. In fact, it is difficult to consider that perhaps in these meetings have germinated the seed that is now 5 Senses NOA, art and culture magazine that won one of ten awards from the contest Abelardo Castillo vernacular cultural publications of the Secretariat National Culture, and leave the ring in April. "We are at a stage of precision administrative and commercial, since the intention is that it can hold more than four numbers that allows the award, "says the Cuban Agency dialog with NAN.

Through 32 pages, the brand new publication will attempt to "link the region of northwestern Argentina since its cultural diversity, understanding it as a vehicle for development", he explains, and in that sense adds that one of the aims of the journal consolidate a space for reflection on the "different traditions of NOA and the current tensions of globalization", jerks who become very evident in a vast cultural region. From there, the name of the magazine: "The five senses represent the five provinces that make up the current NOA, and appeal to the word senses not only the sensory but also construction of identity," Betancourt ditch.

Created by Cuban-editor with Virginia Piera, 5 Senses NOA is the final show of a "confluence of personal projects." "It was viable because both Virginia and I and the authorities of Cosmo Foundation (founded in 2007 to promote the culture of Salta), we endorse. We had more or less competing ideas about the need for a cultural magazine that covered the region and is based on the plurality and diversity of voices and cultures, "he says.

A curiosity is that in most magazines self-management: what will not in the newspaper business called "editorial board", a "risk" for compensation "guarantees a certain extent." "We chose to work openly, so they always appear different firms, according to the theme of each issue", extends Betancourt. It will also be broad arch journalistic and artistic forms that contain the magazine will be chronic, essays, interviews, in short, "everything is functional format to communicate. "

But where does this need? Betancourt speaks of an "empty publisher in Salta. "No global context today is easy for a cultural magazine. However, in Salta what appears to be a vacuum on these magazines can be an opportunity to arrive with a product that will explore the senses of an entire region. "In that sense, 5 Senses NOA is placed as a function contribute to discrimination. " Is that in his view, "reading is always a conscious choice, the magazine reader ignores the light and excessive periodic data and leads the slow structural of the academy. " So if I were to sell the magazine together would grow by offering "a critical look at the best of meanings."

Do You See A Urologist For Gallbladder

harvest radishes Conversations with Santiago Uranga visit

Yesterday my beautiful little boy had a rough day. It was his first day of classes in public school and besides all they put a dental appliance to correct the bite and prevent wear their teeth. Came home after such a demanding day and as Diego and was asleep in bed, sat down to tell us that it wanted to remove.

But before that I was very happy and very happy to go to the dentist and the dental course, was talking of how he wanted his birthday party. I explained that much remained that We were just in the month 1-January and we had to get 10-month in October so we had plenty of time to plan. As we said possible ways to celebrate his birthday, suddenly, with the typical anxiety Santiago the following conversation occurred:

Santiago: Hair vamo to need a piñata!
Mom: Well we bought one!
Santiago: Hair Tenemo no money!
Mom: Well, we can save

Santiago: ICLS Tenemo or pork ...

Then came a moment of reflection and a brief pause and then said

Santiago: Hair and dirty money and to e zoo.

I looked at him tenderly while he was meditating. We had no idea that he was throwing coins to the piggy bank for their next (and virtual) trip to the zoo.

Hemorrhoids More Condition_symptoms Anal Fissures

Enoé Monterrey and submit book

federal lawmaker Enoé Uranga will tomorrow in Monterrey to provide the reports of the First Legislative Forum for Human Rights of Lesbians in Mexico. The appointment is tomorrow at Regal Gallery (corner of Abasolo 951 Mina, Barrio Antiguo) at 7 pm. L @ \u200b\u200bs hope
!!!!! Dar
Click image to enlarge.

Chunky Bloody Mucus In Throat

Your word is law

A whole community

born, based, resident, arrejuntarse and squeezed into the free and sovereign state of Nuevo León:

H. Note that the Local Congress has on its website from now and until February 7, 2011 local consultation to decide the five bills that are most important.

LGBTTTI For Collective , no doubt, our support should be to:

EQUITY:

9. Law of civil coexistence acceptance
SUBJECT: TO PROMOTE RIGHTS TO THIRD

10. Act on Equality between women and men of the State of Nuevo León
PURPOSE: TO PROTECT, TO ENSURE AND REALIZATION OF THE RIGHT TO EQUAL TREATMENT AND OPPORTUNITIES FOR WOMEN AND MEN IN THE PUBLIC AND PRIVATE AREAS

11. Law to prevent, combat and eliminate discrimination in the State
PURPOSE: TO PROMOTE EQUALITY OF OPPORTUNITY AND TREATMENT FOR PEOPLE OF NUEVO LEON

must vote for 5, but without doubt the 3 that most interest us as a group are 9, 10 and 11 . It's simple, give Click here to go to the website of H. Congress, selecting the options, make data and VOILA!

must not let down our guard, we must continue to work everywhere in spite of the complicated social agenda have.

TO VOTE HAS BEEN SAID!!

Wooden Towelroll Holder

Albums: "Play the old white walkman "(Valentine and Volcanoes, 2010) .-

The latest indie group of La Plata is like a treat: causes addiction and makes you want to repeat again and again bite the consistency of their songs and enjoy the taste that gives crossing precise rhythmic as flavors.

By Luis Paz

Buenos Aires, January 16 (agency NAN-2011) .- Valentine's debut album and the Volcanoes is a treat with some special rare in young rock candymaker Argentina. Play the old walkman white chewable is used equally for the lo-fi and for those accustomed to the FM, but also has a shelf life that makes him more than nougat bar. Despite the obvious, as well as the variety "sweet" when the singer Jo Goyeneche becomes chronicler of friendship (and love as a form of friendship), the album has flashes acids, such as when Jo as narrator accommodates post- output-teen fantasy. The beautiful packaging, also created by them, only needs to specify the ingredients of a record high in sugar, protein, melodies and arrangements vitamin C ideal for carrying in your pocket. It is a pity Rock in the railroad and not sell trade prefer knives and locks.

But if this album is a treat addiction is caused by listening, with the usual increase of dopamine from chocolate to sex, to other goodies such as marijuana and the songs, all candy must untie. And if the album does not end with the repetition of the play - and forgiveness reader cataract referral logical part of that initial idea - is that behind the consistency of the songs displayed a glance, sometimes a cool show and in others only photograph on the conscious procession into adulthood, bringing fantasy into the glove compartment of the mind: Santa Claus, his reindeer, a boy chasing bees, a girl who dances and dies on the dance floor, southern lakes, rocks into the lake, the Jesus global pop star and a closed square that looks like the house someone.

Musically, Valentine and The Volcanoes bet to cross sharp rhythm guitars opaque by a sharpening stone of British cycling, in a plaza in the afternoon and between horns (ie: reverb, distortion, noise, lo-fi dream pop). Climatically, the music could not be more precise for this combo of twelve songs where there are also toasted (thousands), jelly, lightning and immortality, as in a large collage that crosses the erotic child Thanatos adulthood, the first love with the wrong move and the stories of faculty with a trip to Patagonia. All made by Goyeneche, Kosinski guitar, drums Villera Leti (the core of the band), with the help of low Felipe Francisco Gomez and Gaspari, Ro choirs Casimiro Marques, trumpet and Shaman Pablo Herrera Perazzo on the console.

Poetically, Play the old white walkman is rich in a wide spectrum ranging from Class B to classic romance, verse cursed and benevolent, infinite tenderness to denounce evil and a clear self-employed (so original) to tell the truth. "My name is homeless, living waiting. Tonight I'll hitchhike to a hearse and take me to the city of the dead. There will be ideal, eternal paradise, "a passage. "You murdered Santa Clauss, I roasted the old reindeer, other than endless nostalgia. And "I'm an advertisement", other times tremendously forceful letters valentines.

Any student who will begin their second or third year of college in 2011 should spend the summer in the company of this record, remembering through and predicting the remainder to come. Above all to sing, if you had the good fortune a summer break: "All gone, all gone, all except you and me" Hugged your chic @, your dog, your teddy bear or photo of your grandfather died @ @. The combo is life, death and resurrection, and this record is concerned, perhaps unwittingly, to provide a time to every instance of those.

Site: http://www.valentinylosvolcanes.com
MySpace: http://www.myspace.com/valentinylosvolcanes

Recipe For Pink Italian Dressing

A bath

few days ago I read in the newspaper El Pais a very interesting article about Nobuko Kan, Japan's first lady. The personality of this woman must be super magnetic, far as I can imagine. Nobuko Kan is an activist and writer, in fact, only her husband took office published a hilarious book with a title that many couples and especially many agents would do them the least funny. The book is titled What the hell is going to change in Japan now that you are prime minister? I can not imagine writing Calderón's wife something like that, much less blame things like that can not cook and have bad taste in clothes.

Why the media has turned its gaze to Nobuko Kan? Because now comes a national debate in Japan about whether women should / can retain her maiden name. COUNTRY says:

Nobuko statements appear in the middle of the controversy sparked in the country by the lawsuit filed yesterday against the Government for five women opposed to the law requiring lose maiden name upon marriage, and imposing a single name, so they are overwhelmingly women who are forced to adopt their husbands. The plaintiffs argue that the law violates individual freedom guaranteed by the Constitution.

In 1996, he prepared a draft law giving women the right to retain her maiden name but the Conservatives threw him because they believed that freedom could undermine the family unit.

The applicants also asked the government for a compensation of one million yen (9252 euros) for "psychological injury" suffered by the loss of their surnames.

Does this seem absurd? To me yes. What do they talk when they say they have "psychological damage" because their women do not take your name? Or better yet, What do they talk when they think that the household is guaranteed if the woman retains her maiden name? Everyone

customs, everyone his beliefs, but occasionally have to think if you really supposed stability of society and humanity lies in the convention and not in our ability to agree.

If that were the problem and resolve this conflict of humanity, lacking unless I change the name!

Where Can I Go To Sell My Pearls?

world to think we won a battle

LGBTTTI

whole movement is excited about the good news: Lol Kin and Judith won the injunction against the IMSS. The data says they are going about 600 marriages in Mexico during 2010, so the compromise is that all couples begin their registration process to IMSS, ISSSTE, etc.. Remember that the reform is made but has not been published, that is, do not take your finger off the line.

Buy Active Ankle In Langley

A horror fiction to reality

A group of thirty residents of the poorest corners of Avellaneda filmed in February a zombie movie, people who are the inhabitants of the barrio Villa Luján affected by the foul odors from Sarandi stream. "It's easy to blame corporations, politicians and officials, which of course have much responsibility, but we believe that the social indifference is the third leg of this table, urban industrial pollution," said Nestor Saracho, ideologue of the project.

For Sun Tiscornia

Neighbours Photo courtesy of Villa Corina for a Better Future

Buenos Aires, January 1914 (NAN-Agency 2011). - A baby. A mother. A stream. Mom yells, "That does not, baby." But the baby does not comply. Suddenly, no longer there baby: there's a zombie. Then, the mother screams again. Alarmed, you see a neighbor, who joins the work of filling the air with shrieks. The noise attracts the opposite grocer, the greengrocer and why not also the retiree who lives in the corner. Everyone looks stunned the green-brown mass sigh before them, dripping with slime and confusion. They do not say, but know that there is no turning back: When a baby turns into walking dead and nothing is the same in a neighborhood.

The Almacenera force does and gets a tear. Mom bends over and grabs her skirt covering her face. Ago, a few yards away, a man begins to clap and smile, knowing that this is how a group of people from the poorest corners of Avellaneda achieved a short film denouncing the contamination they are forced to live and with whom he must deal again today, when odors emanating from the Sarandi stream and are part of the air.

terror will, no doubt. Were about thirty neighbors - ten adults and twenty children - which, converted into amateur filmmakers, put together the final details of the script. Begin to roll it the second half of February in houses in the neighborhood of Villa Luján. Constructed of night landscapes greenwash and fiction that shows how children who spend their days by the brook Sarandí become zombies to inhale her scent. Analyzed every detail of the dialogue, scenery and costumes to create your own factory of fear. However, they know very well that the largest share of cruelty provide reality: the plate, mud and debris endless flashes of glass, plastics and metals that make up the soil around the creek, one of the main channels of Avellaneda which flows into the Rio de la Plata taking dirt and chemicals factories bordering not want to have nearby.

"Our goal is to create a space for participation and citizen action stimulation. It's easy to blame corporations, politicians and officials, which of course have much responsibility, but we believe that the social indifference is the third leg of this table, urban-industrial pollution, "said Nestor Saracho, ideologue and one project the founders of the Civil Partnership Neighbourhood Villa Corina for a Better Future, a group that is in charge of taking the short forward by the independent producer and self-managed Cosamostra, a specialist in horror films.

The protagonist is a girl, played by a young neighbor of Sarandi, and no shortage of characters typical of all social disaster: an employer "either garca "and political" chanta well. " Most players will be boys and it was they, too, who put together the storyboard with the help of a dozen adults. "The children are more sensitive to environmental issues. Also, if a boy fills you with these issues, you'll be better prepared when you get to adolescence and youth, and the power of that time you can better prosecute your ideals into action, "said Saracho, who already has their backs protests , coupled signatures, a day named Arroyo Fest artistic and even a choice of Queen Pollution to complain about pollution channel water Sarandi. For two years looking for different alternatives of communication to raise awareness to their neighbors on various factors which affect their welfare. In addition, musical production gives workshops in schools in Villa Corina, whose students participated in the group and traveling shows "No kid is born to stream" encouraged by the cooperative La Vaca.

The audiovisual production idea became a project of drawing comics to spread through the neighborhood. But to be truly effective awareness, Saracho knew he needed the participation of the residents, who are themselves face paint green and write the lines to portray his own life with dirt and neglect. Because maybe other people's eyes the camera did come a reaction strong enough to claim that the voices sound more high and bring finally a solution. "The situation in which they live is the smallest most moving and poignant, from those with health problems to those who suffer the housing shortage. We note that there is habituation to these situations of contamination. If all we participate actively, not suffer what we suffer, "he warns.

reality and fiction this time will not compete: they accompany. The realization and future projection of the short was made in conjunction with a documentary, also driven by Corina civil partnership, which will show and tell, in the voices of their people how to live by the creek Sarandi. "The main problems are skin allergies and respiratory ailments. There are cases of cancer in the area and have to deal with the unbearable smell, which reach to more than ten blocks away. The people of Villa Luján is in a housing shortage for very alarming, "Saracho details.

Post production and editing will be completed by after mid-year. Also make a trailer to entice school teachers to project the short in their classrooms. They have already promised a place in the Festival Buenos Aires Rojo Sangre (BARS) this year and even now is almost confirmed the name: Corina mutant. It only remains that zombies attack to finally revive the illusion of swimming in clean water.