The company proposes not be dancing Thursday through Sunday the best tango of the 40s and 50s decades of choreography accompanied by raw, erotic and passionate. For Ailín Bullentini
Photo courtesy of No Bailarás
Buenos Aires, January 25 (agency NAN-2011) .- conceived without sin proposes a challenge. Subtly, on tiptoe, slide across the stage proposal. A deceiver of innocent at the start of lay, and left to discover daring in his last pieces. Meanwhile, prepotea the viewer. Especially one who comes to the Teatro de la Ribera with the expectation of enjoying a show in which dance and live music blunt the best tango of the decades of 40s and 50s. But no. Or, yet not. Anyway, the result is impeccable. Exquisite. Missed.
The company tango dancing is not started and polishes the tables of the theater of La Boca, Thursday through Sunday, the pace of dosxcuatro of 19 tangos written and composed during the turmoil of the genus in Argentina. The melodies are born of a piano, an accordion, a bass, electric guitar, violin and sometimes a hoarse voice and powerful, combining the sounds of stage and bring the magic. The idea of \u200b\u200bmixing, the orchestra sprinkle the room with the music to float to your liking there, and the public - three pairs of dancers, belongs to Silvana Grill, artistic director of the group.
Challenge "invited the introduction of this item? Sure. Because the message limit in the show does not change. Are milongas, waltzes and tangos brief reference, strong, heartbreaking, that give a frame to draw couples art that no bail. Critics, never false, according to the narrative construction accomplished in conjunction with choreographic dramatization. Creole: The tango puts the letter; duos, designs that fail with their bodies in the air. The excitement, tension, grace, tenderness, uncontrollable love that reflect each of the 19 stories is derived from a combination of both disciplines.
The stage also contributes to this construction. The lighting and set design work - a permanent and short, but effective, changes in bottom panels of the stage - allow transporting to those who feel and see the show on regions of tango stories. Environments tainted by cigarette smoke, yellow, heavy. Any street, revealed in the white moonlight. The gloom of a room where the bodies are sought to be naked.
All proceeds as would the book R ULES continue to perform a tango show -if any-until the last three frames. The stories are about love and heartbreak, of betrayal and disillusionment, of lift and seduction. Women, embodied in a blonde (Gimena Aramburu), a brunette (Paula Gurini) and red (Julieta Biscione), three strong mines, handlers and cruel to those three men (Roberto Castillo, Mariano Bielak and John Foss) that love them , the search until exhaustion. Of course, until the final three frames. Because
Chaly, the table number 15, is a prelude to the breakdown. Paula and Julie are removed tailored red dress which did wonders for the centerpieces of the show and in bombachudo, bra and stockings thigh-old become a kind of Mariano Bond girls, which would be a .... "James Bond? Anyway, how incredibly annoying, yet interesting is that even well placed in these positions, still dancing dosxcuatro. Gone
ballroom dancing, the coordination among the three couples who, in a somewhat cluttered triangle run along the track between eight cuts, scissors, half moons and rings. Eye, the steps are not lost. Resignified in a theatrical context abysmally different. Light blue, born track of a CD-the only one not played by live orchestra mini-states that the break has arrived. The way most could ever enjoy a tango dance breaks to disappear.
There the challenge. Rejection is the first thing caused the futuristic costumes of cloth violets, yellows, oranges and greens angry, the choreography interspersed, the superhero poses. What the hell is this? "Tango? The rhythm of the piano, plucking the guitar and bandoneon those beautiful tears - never seen a more sensual - not change the construction of tango melodies with the depth of bass. A not close our eyes, the dance is there a different way. Appears twist to a genre that was spent for decades, but still shooting sparks. And just fascinating.
* conceived without sin is presented Thursday through Sunday at the Teatro de la Ribera, Pedro de Mendoza 1821, La Boca. City of Buenos Aires .
Site: http://www.nobailaras.com.ar/
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