Friday, March 25, 2011

Precision Attachment Partial

Kids grow

But then they grow and I'm proud of that. Eight months ago that I, Criseyde, stopped working and I have been among other things to take care of Diego and Santiago. During these months our relationship has been enriched by many things and I've noticed the challenges of being a full time Mom. I want to say that he never had a chance to be the one to stay home. Ana itself. Ana had the opportunity in the first year of the boys and now that I do feel that mixture of pride, happiness and frustration because I love him to go outside to practice my profession and bring money home. Fortunately or unfortunately, Monterrey, since I returned from Houston has not had much to offer in that aspect but life goes on and I have to learn to live with what I have. And yes I have a wonderful wife who is part of the back to take us forward and what I do I have a couple of children is also wonderful in that I can roll over themselves and that I can make a difference.
Yesterday was the assembly of Benito Juárez and the Spring Festival. Diego and Santiago are second in kindergarten and since January the change to public school for many reasons, primarily economic. In Mexico, education is secular, free and compulsory and the truth of why we have to fall back and have to make that reality. Went to a kindergarten is five blocks from our house. So every morning we walked to school. The savings are twofold: they have to pay tuition (if the fees that all public schools are asking that if for the physical education teacher, if for improvement, if for materials) and not have to pay for transportation because we walk.
Is it better or worse public education? Well like everything, depends on how it is used. Diego and Santiago have had their period of adjustment but for me it was a pleasant surprise to see him dancing without the typical cries. I recorded it for Ana because she could not miss work and was excited to see so much concentrated and participating in dance in your living room. Diego is the bee:



And as the school policy is to keep the groups separate the twins, James is in another section and have other friends and colleagues. James seems far more easily adapt to change and I saw very loving with their peers. Of course, James is one of the worst mischievous. When she took the stand to lay a butterfly dance, Diego tries to put in place and that may distract the attention of his brother. Either way but as he danced his dance was the last time I was so bored by then. Behold, the blue bird the foreground.

Thursday, March 24, 2011

Southpark Doe Letöltése

A Trojan Horse to reclaim the works of exile .-

The structure built wooden crates, unlike what tells the story of the Odyssey, contains in its interior artwork, produced by academic and cultural Argentines suffered exile during the most violent years of the last military dictatorship. Today, 35 years of the coup that left a deep wound in the history of our country, two fellow Mexicans were ordered to repay some of those pieces produced by hundreds of rioplatenses pushed to live in remote areas to the ground where they were born.

Sabatés
By Paula Frederick Stock
Feulliade

Moscoso Buenos Aires, March 25 (agency NAN-2011) .- "With the grateful hope for a safe return to their homes after an absence of nine years, the Greeks dedicate this offering to Athena," read the left side of the Horse Trojan, this monumental gadgets as the Greeks devised to destroy his enemy city after years of violent war. If we change those nine years to thirty-five, to the Greeks by the Mexicans, and revenge for a noble gesture of brotherhood, we find The Horse of the Argentine exile in Mexico or Argenmex Horse, a style structure the legendary horse, draft Yamina Mexican artists of the Royal and Roland Rose, built with wooden crates containing all the artistic work produced by academic and cultural Argentine exiles in Mexico during the last military dictatorship. "The work gives back much to Argentina. Materially, because we bring important productions. And symbolically, because this is a job that should have occurred here and it was there, "says the agency NAN de la Rosa, which he accused has nine horses in various social struggles.

The Horse made its formal presentation on Wednesday in the academic campus of the Universidad Nacional de Lanús (UNLa) and rode up yesterday at the National Day Memory for Truth and Justice. Their riders were Argenmex themselves, who proudly pulled the reins while horns sounded their daughters songs of exile, some remembered and others discovered. "We felt a pending issue that all this production back to Argentina and build the project considering the Argentines who stayed here were to march to feel proud to see everything their compatriots occurred during his absence," says Yamina del Real, photographer, writer and researcher Mexican who lived in Argentina for six years, where he says failed to connect with the people who now honors from his art. The structure will now continue travel and for the next 35 days will be exhibited in Buenos Aires as part of contemporary art. The material will be in the center of studies of the Mexico-Argentina UNLa, which may be consulted.

Among the materials - which include artwork, audiovisual, writing and research - are from a book of poems written anonymous prisoners in the jails, a documentary about a missing child who was exiled and documentaries on the Triple A , to studies of Professors Néstor García Canclini and Pilar Calveiro. "All this work, even when it comes to academics, is permeated by the pain of exile, the struggle for survival by ideas, freedom and security that is worth continuing to fight for a better country. Because, even if you're isolated, you are your work history, "muses the artist. Is that the project "creates an open channel of communication between the two Argentinas, the geographical and imagined, that in the end they are still others that same as in 1976 left him no choice but to hide some other flags to think what they wanted to think but, fundamentally, not to die in oblivion. "Bringing the horse full of that production is to give tangibility to the acculturation process that caused the exile, because what the Argentineans were created here during the dictatorship is another thing altogether to which exiled Argentines did, "says Real.

The sculpture took only 20 days to take shape and was made possible through the support of the Embassy of Argentina in Mexico and the UNLA. It has four feet, four inches less than the maximum height allowed to pass through tolls Buenos Aires. For de la Rosa, "the horse as an animal has a tradition of strong social control, and this time lets unite two peoples which in itself is very fond of using an artistic work and not by a government measure or agreement between embassies. " The artist has already planned a series of documentaries produced by xy ArgenMe they plan to walk the material around the country before the final receipt Suburbs. "The important thing to bring is not to be saved is to be broadcast," said the sculptor, who also made small models, replicas, one of which has already been delivered to the holder of the Grandmothers of Plaza de Mayo, Estela de Carlotto.

"The maximum value that we try to highlight the solidarity, to show how a country opens its doors to people who can not follow in his, and how it operates beyond governments. Because we call on all people who were exiled, and do not know if they were Peronist montoneros or were nothing, "points of Real, making clear that, even if it contains the Argentine hands sweat, the Argenmex bicultural certainly is a horse created by people split into two, with the penalty of those who are forced to leave their place - note the foot many Argentine artists would not participate in the project because they felt that in Argentina are well regarded for having "escaped" (sic) - and thanks to a people who received no buts. And proving that the horse may be the strongest of all, the only land he rides really makes it clear that anyone, if you will, can be a land of all.

Wednesday, March 23, 2011

Pokemon Silver For Dosbox

A terrible for children Che .-

"Che, a revolutionary Star" is the first children's story about the history of the Argentine revolutionary. The Ministry of Education to be shortlisted as study material in classrooms and school libraries. However, the publication of The Brand opened the debate: the voices against soon appeared.

For Soledad Arréguez Manozzo
Photo courtesy of The Mark

Buenos Aires, March 20 (agency NAN-2011) .- With a star as a guide, each page is a step forward in the history of a character revolutionary. And every line, colorful blend to give life to the protagonist of this children's story. It is not about fairies, goblins, superheroes or other fictional character. Che leaves, the star of a revolutionary (Editorial La Marca, 2010) tell for the first time for the kids thought and the ideals that guided the Ernesto Che Guevara along the South American continent. In multicolor sheets, youngsters can read some of the phrases that were hundreds of reasons to think of a better world. This children's publication, which is already in bookstores, it could even be part of classrooms and school libraries, based on a presentation to the Ministry of Education. However, the possibility of reaching into the hands of hundreds of students fanned the debate: What can or can not read stories to kids about real life?

poster, t-shirt and merchandising militant, revolutionary leader first came to children's literature in Argentina. With pure color illustrations, the text strings together as a factual story with some of the thoughts of one of the most important twentieth century. And in turn, is the story of an adventurous journey in which a young man named Ernesto discover your own star, to guide the rest of the road. Just the five-pointed star in the story is a metaphor for the values \u200b\u200bthat guided the project Che in Latin America. The same qualities that the publication of The Mark wants to rescue with the objective of inspiring younger readers: courage, commitment, dedication. "It is a book for young readers and younger ones guided by their parents and teachers know the life and values \u200b\u200bof one of the greatest idealists of history", remarked from the publisher. The book has already sparked criticism. Soon, the site received hundreds of messages from the story for children of Che, who described the book as "an illustrated manual of guerrilla." So

poetic doves, flowers and colors, the book covers in a concise manner the life of Che. It all starts with his friend Alberto Ernesto decide to go on a bike Latin America, through various experiences, until he decides to take other paths to new revolutions. Of course, the story avoids talking to armed conflicts, episodes of violence or the assassination of Che in Bolivia. "Like any historical figure, his life is complex. So as a sums it from a position where you want to read the work or the public that the work is dedicated. This is a book for kids, "he told NAN Guido Indij Agency, Editorial founder of Brand and author of the book by Constanza Brunet. The pages feature colorful illustrations of the South Korean Lee Yun Ju, also used in a book about Che for children in the country of the artist. As the horrors of war and the struggle against American dictatorships are reserved for other biographies of Che aimed at adults, who can guide the younger guys.

Under the premise of L'enfant terrible - an expression to refer to children who ask naive terribly embarrassing to adults - this year the publisher released a children's collection called La Marca Terrible. "Che, a revolutionary Star" is one of the volumes that were published to mark the 18th anniversary of the brand. Publishers and other titles are planned on characters of the story, but these projects are still in process. There will be biographies of classical and astronomer Galileo Galilei, the painter Pablo Picasso and scientist Alfred Einstein. However, Brand is more terrible, and will focus on children's books, less common, as the story of the life of Eva Peron, The Beatles.

- Why did you decide to tell the life of Che ?
- We wanted to save some of their human values \u200b\u200bthat are possibly as a parent you would like to convey to their children. The "Che" embodies the solidarity, work for others, commitment to the ideas and the constant struggle against adversity ... Their attitudes and the way he lived, independently of other aspects of his thought, are valid. These are being redeemed in this book. The fact that we do not put emphasis on the aspects of his life tied to blood, or self, does not negate the fact that had values \u200b\u200bthat is recognized worldwide as an icon of the struggle, commitment and ideals.

- What reaction caused by the fact that most kids can read about the thinking of Che?
- Books on the street when confronted with the public and here come the answers. The controversy install the daily La Nación with a note, which had 1200 comments 24 hours exacerbated and very shocked. Readers responded to this stimulus, all commented without reading the book. However, the reception was very good. This character irritated readers Nation.

Ernesto, the protagonist of the story, fueled the debate about what readings (policies) may be accessible to the kids and what not. Soon, the site received hundreds of messages from the story, who described the publication of children as "illustrated manual of guerrilla."

Despite these criticisms, the book on Guevara was shortlisted by the Ministry of Education's Office to be students, classrooms or school libraries. For now, the process continues to progress at the Ministry. So the possibility remains that thousands of kids can read the history of the revolutionary leader, as an invitation to investigate even after the history books with the guidance of adults. "After traveling thousands of miles, how Ernesto saw the world has changed. Is that a trip can transform the mind and heart of a man ... "says one of its pages.

Monday, March 21, 2011

Why Is My Poop Dark After Drinking Red Wine

The Scam Dub in the Spanish Theatre .-

From the combination of 11 musicians from different styles of music scene Neuquén came this new time bomb that, in addition to sharing the stage with The Wailers, Nonpoint, Los Cafres, presented his self-titled album before 500 people in more prestigious areas of the valley.

For Guillermina Watkins
Photo courtesy of Gisela Chang

Neuquén, March 22 (agency NAN-2011) .- When does a success? With the recognition of the people? When the "product" is good? With the effort of those who make flesh, or one of those lucky breaks that take you by surprise and make you realize the size of things? In the case of The Hoax Dub, the dub reggae band and Neuquén, seem to have conjugate all factors the same time. Therefore, it is no coincidence that almost 3 years of training, success has come up with a formula that they seem to work in every way naturally.

Thus, in these 11 artists, music functions as something physical, instinctive, animal. Something Luis Ferri, Mariano Gonzalez, Juan Fort, Hector Navarro, Lisandro Parada, Gerardo Navy, Lucas Debenedetti, Christian Massei, Franco Salas, Victor Barria Alvaro Castro Rivas, Victor Amadeo Bonaiuto Zuccoli and demonstrate their art and beyond musical structures and forms, no need to think much but feel it. That was demonstrated on Saturday during the show two hours gave the English Film Theatre before more than 500 people.

When the lights went out, about ten o'clock at night, the entire theater was filled with expectations. Dub is that the scam has emerged in recent years in the revelation of the valley, a big-band Neuquén that each show has been adding songs to his repertoire and the public has responded so rewarding. As with the release of their self-titled album in February, a masterpiece of 13 tracks and a version of "Guachi Guara" Chano Pozo and Dizzy Gillespie. An album that is also a super artistic and musical production that makes the listener to travel through several textures and soundscapes, dub always key.

Thus, the presentation of the album was that and much more. In addition to the 14 items included in The Scam , joined 11 other topics in the repertoire which alternates climate instrumental versions of classic reggae and not so much, and shaking of revelry and joy among some ska and dub. In the first part, quieter than the closing tracks on the album sounded more like "Fat Back", "Parrots," "Days go by," "Song for Rico", "understanding", "Slave" and "Reason of Dub ", plus a cover of Morphine and Sly & Robbie with the participation of Alex de San Lorenzo City rap group Neuquén. At this point in the night, the audience asked for more, celebrated with spirited rhymes that Alex slid not mince words about the reality of western Neuquen and more.

Then came time for "no reason" one of the themes of authorship itself older than many parasen got in front of their seats and begin to move with wave motion and rhythm dubbero, slow, tiring. It is in this area where, besides the rapper Ras Lucas, surprised by the melodic voice of John Fort accurate that is gaining prominence in this ship multi-instrumentalist of wind, string, percussion, and keys.

A key moment? After one hour and no reasons after starting the show, the air in the English Theatre grew more relaxed. He got to play the Monkey Lion "To Frattini" with an acoustic guitar to fuse dub tango, and continued a version of "Perhaps" to warm the spirits and also joined Fox onstage to Collon "When when when" by Osvaldo Farres instrumental version with winds below. The night continued with more guests, with Nora Reves in flute for a version of "Peanut Vendor", a Cuban classic which stressed the one woman who was on stage.

Almost two hours into the show, was imminent that would end. But How close something that did not seem to want to close or to the musicians or the public? The best way was with an incredible version of "Baby I love you" from the Ramones and the invitation to all musicians to make "Guachi Guara", the theme of Gillezpie-key to a jam session in general and full of righteousness, joy and friendly wink.

What else had failed? Almost anything, perhaps a little more room to dance, but even when one of the most prestigious theaters in the Upper Valley, where groups have played national and international reputation, not without Coronas with lemon for those who wanted to feel at home the hand of a of the best musical offerings of the region.