Women Reference Images

"Other women" in La Tertulia. -

From the junction of the texts The other and Two women, both the playwright Javier there is the dizzying work of Aldana Contreras whose key solitude, with its unhealthy products: fears, contradictions and fantasies .

By Facundo Gari
Photo courtesy of Other women

Buenos Aires, March 8 (NAN Agency, 2011) .- In Other women, a play that was shown on Fridays at 23 La Tertulia (Gallo 826, Buenos Aires), the communication medium through which the sisters played by the young Siri Delfina Soledad Danelotti and give with a hunk of blind dates is a notice in a publication on paper and just that point to record that this work linking texts res Two women and The other both the playwright Javier was not aggiornamiento by newcomer Director Aldana Contreras to the days when much of this type of event is growing in the web 2.0. Not a condition of necessity, rather the lack of updates again attention to the presumed ability of art to address key issues, with texts of limited significance and yet unlimited surveys.

Here the axis is the loneliness, or their unhealthy products, and is well known to be on the basis of a collective work of a group of students staging of the Metropolitan School of Drama. It is not the first time that someone comes to play with these two dramas from writer and director of theater as an act of celebration "(something that the choice axiom forced to serve as a toast Agency AN N towards you, readers, for the pleasant holiday carnival yesterday and today in Argentina): Martin Ortiz had done in the same theatrical space in 2007 titled Women , with performances by Cecilia Bruza and Magali Melia. But here is formal originality, aesthetics, rather than content, and therefore the wealth of the fantastic.

At first, under the text of Two women , Danelotti and Siri - of good performances - are dressed as dolls, living doll in a room and move like dolls, hieratic. To speak as dolls, in a mostly neutral English exclamation, not detract from the actual money terms and vernacular language, and that opens the door to the comedy. Go at full speed with the speed that their languages \u200b\u200band allow the viewers' brains can absorb later than sooner, if one looks at the brevity of the work.

argumentative speaking, waiting for the meeting agreed with a stranger on them reveals the contradictions and fears, but what appears to be an attempt to match with the subjectivities of the audience is in Orsai. Moments dream through, the ellipsis is possible, but not too accurate as a discursive strategy. The same is true in the second part, corresponding to The other, which one gets to the left with a corpse in the bathroom and runs the decision on a finding that matches the starting point: the press release says that commercials promoting the show, these women "are not able to give or receive."

The end is announced by a dim light that runs over the bodies of the protagonists and the viewer is left wanting to pour more content into a form that will undoubtedly captivate.