From the combination of 11 musicians from different styles of music scene Neuquén came this new time bomb that, in addition to sharing the stage with The Wailers, Nonpoint, Los Cafres, presented his self-titled album before 500 people in more prestigious areas of the valley. For Guillermina Watkins
Photo courtesy of Gisela Chang
Neuquén, March 22 (agency NAN-2011) .- When does a success? With the recognition of the people? When the "product" is good? With the effort of those who make flesh, or one of those lucky breaks that take you by surprise and make you realize the size of things? In the case of The Hoax Dub, the dub reggae band and Neuquén, seem to have conjugate all factors the same time. Therefore, it is no coincidence that almost 3 years of training, success has come up with a formula that they seem to work in every way naturally.
Thus, in these 11 artists, music functions as something physical, instinctive, animal. Something Luis Ferri, Mariano Gonzalez, Juan Fort, Hector Navarro, Lisandro Parada, Gerardo Navy, Lucas Debenedetti, Christian Massei, Franco Salas, Victor Barria Alvaro Castro Rivas, Victor Amadeo Bonaiuto Zuccoli and demonstrate their art and beyond musical structures and forms, no need to think much but feel it. That was demonstrated on Saturday during the show two hours gave the English Film Theatre before more than 500 people.
When the lights went out, about ten o'clock at night, the entire theater was filled with expectations. Dub is that the scam has emerged in recent years in the revelation of the valley, a big-band Neuquén that each show has been adding songs to his repertoire and the public has responded so rewarding. As with the release of their self-titled album in February, a masterpiece of 13 tracks and a version of "Guachi Guara" Chano Pozo and Dizzy Gillespie. An album that is also a super artistic and musical production that makes the listener to travel through several textures and soundscapes, dub always key.
Thus, the presentation of the album was that and much more. In addition to the 14 items included in The Scam , joined 11 other topics in the repertoire which alternates climate instrumental versions of classic reggae and not so much, and shaking of revelry and joy among some ska and dub. In the first part, quieter than the closing tracks on the album sounded more like "Fat Back", "Parrots," "Days go by," "Song for Rico", "understanding", "Slave" and "Reason of Dub ", plus a cover of Morphine and Sly & Robbie with the participation of Alex de San Lorenzo City rap group Neuquén. At this point in the night, the audience asked for more, celebrated with spirited rhymes that Alex slid not mince words about the reality of western Neuquen and more.
Then came time for "no reason" one of the themes of authorship itself older than many parasen got in front of their seats and begin to move with wave motion and rhythm dubbero, slow, tiring. It is in this area where, besides the rapper Ras Lucas, surprised by the melodic voice of John Fort accurate that is gaining prominence in this ship multi-instrumentalist of wind, string, percussion, and keys.
A key moment? After one hour and no reasons after starting the show, the air in the English Theatre grew more relaxed. He got to play the Monkey Lion "To Frattini" with an acoustic guitar to fuse dub tango, and continued a version of "Perhaps" to warm the spirits and also joined Fox onstage to Collon "When when when" by Osvaldo Farres instrumental version with winds below. The night continued with more guests, with Nora Reves in flute for a version of "Peanut Vendor", a Cuban classic which stressed the one woman who was on stage.
Almost two hours into the show, was imminent that would end. But How close something that did not seem to want to close or to the musicians or the public? The best way was with an incredible version of "Baby I love you" from the Ramones and the invitation to all musicians to make "Guachi Guara", the theme of Gillezpie-key to a jam session in general and full of righteousness, joy and friendly wink.
What else had failed? Almost anything, perhaps a little more room to dance, but even when one of the most prestigious theaters in the Upper Valley, where groups have played national and international reputation, not without Coronas with lemon for those who wanted to feel at home the hand of a of the best musical offerings of the region.
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