The artwork created by Bernardo Cappa staged the stark reality of the neighborhood clubs struggling to cope well while holding high the banner of passion. By Maria Daniela Yacca
Photo courtesy of Butterfly Nipple
Buenos Aires, March 15 (agency NAN-2011) .- The story is simple, everyday, tender, nostalgic, and at the buffet a neighborhood club achieves poetry through the small, despite their manners and thanks to him (which is exquisite paradox when speaking of local under). The hunger for glory is butterfly nipples, one of the latest creations of director Bernardo Cappa, who staged the most intense passion Argent and his staff at the same time, football. That hunger for glory - that the character of the undisputed possession Lorenzo Quinteros - contrasts with the stillness of the buffet and the passage of the days without rhyme or reason, embodied in a vintage furniture and have come down to far to suggest that something is about to change. Butterfly Nipple
not called that because it includes among its characters to a Botineras group. The title refers to Lionel (Fernando de Rosa), a young man who works alongside Chaco Cesareo (Quinteros) in the club buffet. The relationship unites a "family", but more strategic affective Cesareo, who in the past was a great player, he projects the young their desire to win, even though Lionel is no longer playing for some time and is dedicated to cleaning toilets to be significantly overweight. "I have grown breasts. The tits were not so great, "Cesario says Lionel, which has rollers and belt, and preparing to go out there with an odd system of pulleys. Both expect a call from Bolivia to change the course of events.
While preparing the medal skate for girls - with whom we fantasize and excited - it falls to the buffet Ricardo (Dario Levy), a member of the board. Since entering the place frozen in time it shows that what brings no good news: the move shows that the site has entered the decline, stressing that there is only one table and order a coffee which hints the machine is in who knows how long ago abandoned. At a second meeting, clearly hostile, Ricardo Cesareo comes to tell who is in debt to handle. And you forget once and for all of the buffet, rethink its role in the club.
The plot of Butterfly nipples has its anchorage in the grim reality for the neighborhood clubs, dating a couple of years ago (in 2004 he photographed Luna de Avellaneda, the film of John Joseph Campanella). "We had a dance floor, we have no more. This was a football club, skateboard now! Skate! Fuckin ', we're all fucking! Here was a stage of cement sold ... to the stage, "says Cesario, one of the parliaments that allude to the decline of the institution. It is also true that while the work of a real and undeniable event, builds his own world and strange, but plausible (Eg, the boy and the pulley system.) In this affects the quality of the performances.
a whole, butterfly nipples functions as a metaphor of yearning, as says the old tango that Caesarius sings Lionel, "Passionate", "No you will never understand what love and go crazy. What it is like dying of anxiety. " A goal that hunger is so intense in the heart of the characters and is visible in its submission to the most intricate of tests, as well as unexpected lies and betrayals. And the desire is so strong that it seems to ignore the environment, geography consists of a series of useless junk and obsolete, they are paradoxically has won the trophy Caesarius of their golden years as a player. Maybe that's why so values \u200b\u200bthat space. The dialogue is consistently among the objects that make up the geography, what they say, feel and do the characters (talk about gearboxes Eliseo Veron metonymic) and an outside that is dangerous, censorious.
Finally, any work that just football talk in an ultimate sense, the identity, way in the course of the work is not so obvious nor necessary, for victory and failure seem to be the yardsticks by which we measure what happens. But actually, the plot weaves in snippets of Argentina: the rejection of Bolivia, the Chaco, the lively Creole, tango nostalgia, Peronism, the passion for women and irrepressible sexual desire. Although the events travels fast and the dialogues are full of meaning, the pace of work is always slow, deliberate, and the life of the club on the corner still bid for survival. And perhaps that is what the win ...
* Friday and Saturday at 23 to 21 in the chapel of the Muses, Mario Bravo 960.
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